Zeiss Lightweight Zoom LWZ.2 Manual de usuario descargar pdf

　Slowly, cinema lenses for the Micro Four Thirds mount

are starting to come onto the market. That’s good news,

of course, for people who want to put the AG-AF100

series to work in cinema-style video recording, but the

fact remains that the selection in zoom lenses is limited in

comparison to fixed focal lenses. In this article, I describe

a series of tests of the AG-AF100 series with zoom

lenses built for a variety of mounts.

　We’ll start with some zoom lenses for the PL mount.

These lenses are cine-style zoom lenses, so they tend to

be large and heavy. When using them with the AG-AF100

series, a lens support is an absolute requirement.

　With most cine-style zoom lenses, a 19 mm diameter

rod is combined with the Arri slide base and bridge plate.

However, given the small size of the AG-AF100 series,

the heights do not align properly if the AG-AF100 series

is mounted directly onto the bridge plate. Fortunately,

a number of companies now offer support systems for

the AG-AF100 series so these can be added to the

configuration, or one of these support systems can be

used alone. Some equipment rental companies even

offer original support systems that they have modified for

even more convenient use, and I recommend that you

check these out.

　For this article, I borrowed a number of support

systems specially built by several companies for the

AG-AF100 series and used them to affix an Arri 19 mm

diameter rod system. With this configuration as my base,

I attached a number of lenses to the AG-AF100 series.

Lightweight Zoom LWZ.2

　True to its name, the Carl Zeiss Lightweight Zoom

LWZ.2 is indeed remarkably light for a zoom lens. Carl

Zeiss built this zoom lens with Steadicam and handheld

video shooting in mind (Photo 1).

Photo 1: As the name suggests,

the LWZ.2 is remarkably light for a

zoom lens.

Wataru Miyamoto, Up Side

Using Zoom Lenses

PL / EF / Micro Four Thirds

1 2 3 4 5 6 7

Indice de contenidos

Pagina 1 - Using Zoom Lenses

　Slowly, cinema lenses for the Micro Four Thirds mount are starting to come onto the market. That’s good news, of course, for people who want to put t

Pagina 2

　Light though it may be, when the load it places on the mount is considered, a lens support is necessary even for the LWZ.2. The LWZ.2 lineup includes

Pagina 3 - Adapter from Triad)

　When combined with the AG-AF100 series, decreasing the detail level might be the best way to express the sharpness of the lens itself. I also felt th

Pagina 4

　With the wide variety of peripheral accessories available for the AG-AF100 series today, this camera recorder could probably be fitted and used with

Pagina 5

　While the EF lenses themselves have no rings for the iris, as they are electronically controlled, the TF-Version modifications are attched with iris

Pagina 6

　As with all cinema-style lenses, you don’t know for sure how they’ll handle or how the results will look until you actually start using them. For exa

Pagina 7 - 14-140mm zoom range

Lumix G Vario HD 14-140 mm/F4.0-5.8 Asph./Mega OIS　The Lumix G Vario HD 14-140 mm/F4.0-5.8 Asph./Mega OIS is a genuine Panasonic lens for the Micro Fo

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Zeiss Lightweight Zoom LWZ.2 Manual de usuario

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